Biography
Jennifer
Connelly was born December 12th 1970, at
Catskill Mountains, New York. The daughter
of Gerard, a clothing retailer, and Eileen
Connelly, an antiques dealer, she spent
four years in Woodstock, New York, but grew
up in Brooklyn
Heights, just across the Brooklyn
Bridge from Manhattan. She attended the
prestigious Saint
Ann's school from kindergarten
through high school.
Her education
widened quickly. An advertising executive
friend of the family suggested that 10-year-old
Jennifer, being extraordinarily good-looking,
might make a great child-model. So, they
went looking for representation, and found
it in the prestigious Ford Agency and, after
school, Eileen would take little Jennifer
into the city to auditions. She was very
successful, appearing in many newspaper
and magazine ads (such as in Seventeen
magazine), and in TV commercials.
These days, Jennifer claims she can remember
very little about this, in fact recalling
only one ad - for Scott's toilet paper.
Jennifer has said that modeling was "really
alien" to her and she happily left
it behind for film acting when she could:
"I was so shy and really didn't like
getting my picture taken".
Jennifer's work took her
all over, particularly to Europe and Japan.
While in England, she made her onscreen
debut as a member of an underground child
cult in the video for Duran Duran's Union
Of The Snake. She also won a part in one
episode of the hit series, "
Tales
of the Unexpected" (1979),
spooky adaptations of Roald Dahl stories.
Jennifer's
first movie experience came when a casting
director introduced her to legendary filmmaker
Sergio
Leone, who was seeking an actress who
could fill the role of a young girl to dance
in his dramatic epic, "Once
Upon a Time In America" (1984).
The supposed determining factor in her casting
was that her nose matched Elizabeth
McGovern's,
who played Deborah as an adult. Jennifer
has described the audition for the film
as the easiest of her career: "the
whole thing took three days, I went and
auditioned, went back the next day and met
the director, and then went back and met
with the director and Robert DeNiro".
During her
original interview with Leone she was asked
to dance . "Not being a dancer, I had
no idea what to do and I can only imagine
how silly it must have looked, whatever
it was I did". Jennifer spent her twelfth
birthday on the set, and has described working
on the film as "pretty darn fun".
The role of Young Deborah also, notably,
became very nearly the archetype for the
type of role Jennifer has been most often
asked to play throughout her career: the
female object of male infatuation and longing.
Although having little screen time, the
few minutes she was on-screen were enough
to reveal her talent. After Leone's movie,
horror master Dario
Argento signed her to play
her first starring role in his horror thriller
"Phenomena"
(1985), in which Jennifer plays a girl who
can communicate with insects. The film made
a lot of money in Europe, but unfortunately
was heavily cut for American distribution
as "Creepers". Argento was a colleague
of Sergio Leone's, and no doubt had been
impressed with the young woman's beauty,
poise, and maturity in her first film role.
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Once Upon A Time
In America
1984
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Seven Minutes
In Heaven
1985
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Jennifer next
appeared in the low budget "Seven
Minutes In Heaven" (1985)
for Zoetrope Studios, where Jennifer played
a Grade-A student who lets a troubled male
friend stay at her house, much to her boyfriend's
chagrin. Unfortunately, the film was not
supported by its studio and received limited
distribution. The late eighties saw her
appearing in a smash hit and three lesser
seen films. Amongst the latter was her roles
in "Etoile"
(1988), as a ballerina, and in "Some
Girls" (1988), where she
played a self absorbed college freshman.
Directed by Michael Hoffman ("Restoration",
"One
Fine Day"), this was a
black comedy where student Patrick
Dempsey goes to Quebec to spend
Christmas with his girlfriend, Gaby D'Arc,
played by Jennifer. On his arrival, she
tells him she doesn't love him any more,
but he sticks around to receive lessons
in life and love from her sexy sisters,
her father, who spends most of his time
naked, and her grandma (who thinks he's
her dead husband).
The smash hit
was "Labyrinth"
(1986) in which Jennifer plays a young girl
who, frustrated by having to baby-sit her
brother, calls the goblins to take him away
- which they duly do. She has to discover
the key to the Goblin King's labyrinth and
rescue her little brother, and while doing
so meets all manner of fantastical beasts.
Jennifer got the job after a nation-wide
talent search for the lead in this fantasy
directed by Jim Henson and produced by George
Lucas. Henson was quoted as saying he knew
he'd found his lead the minute she walked
in the door for the audition. Her co-star
was rock star David
Bowie, who played the evil
Goblin King. Bowie has said that she reminded
him of the young Elizabeth Taylor. He also
remarked that "she's. . .a damn good
actress and a joy to work with." For
her part, Jennifer remembers that she was
"impressed by Bowie, but (she) wasn't
into that teenager-rock star kind of thing
at all". She enjoyed the shoot immensely,
particularly the scene where she wore a
silver ballgown and danced with David Bowie
to a track he wrote especially for the film.
Much of Jennifer's original fan following
are those who first encountered her in this
film.
After graduating
from St. Ann's in 1988 Jennifer found herself
re-evaluating her acting career: ".
. .in a few years it began to change. I
said, 'Do I really want to do this? or am
I just doing it because it came along?'
So I took it all apart and put it back together
and said, 'Yes, I want to be an actor.'
In 1990s she enrolled at Yale,
where she majored in drama and English Literature.
After her sophomore year there, she transferred
to Stanford
University, where she remained for another
year, but she never finished her degree.
She had hopes of attending college with
anonymity, but to no avail. "I wasn't
going to tell anyone at all, but I had a
roommate who'd seen me in Labyrinth and
so it was out". She found that the
mere fact that she had worked in Hollywood
made her a cause celebre among her classmates:
"you're more famous than you actually
are". At Stanford Jennifer trained
in classical theater and improvisation,
studying with the late drama coach Roy London
and with Howard Fine and Harold Guskin.
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Career Opportunities
1991
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Her career
entered into a terribly calm phase until
Dennis
Hopper, who was impressed after
having seen her in "Some
Girls", cast Jennifer
as an ingénue small-town girl in
"The
Hot Spot" (1990), based
on the fifties crime novel Hell Hath No
Fury. It received mixed critical reviews,
but it was not a box office success. The
relatively high profile role in "The
Hot Spot" got her noticed by the press
for more than her acting. Stephen Schaefer
in a USA Today article wrote: "Anyone
looking for proof that little girls do grow
up fast in the movies should take a gander
at curvaceous Jennifer Connelly opposite
Don Johnson in The Hot Spot. Not yet 20,
Connelly has neatly managed the transition
from child actress to ingenue." Not
all that surprisingly, Jennifer was called
upon by Hopper to do her first nude scene:
"The nudity was hard for me and something
I thought about. . .but it's not in a sleazy
context." The quote reflects the sensible
manner with which she had approached a number
of other such scenes in her career. The
nudity wasn't the only thing she was a bit
trepidatious about--she balked a bit at
going into the freezing cold water during
one of the beach scenes. Johnson solved
the problem quickly--he just picked her
up and threw her in!
Jennifer showed
off her glamour and good looks as Josie
McLellan in "Career
Opportunities" (1991),
a John
Hughes produced comedy which
was largely overlooked at the box office.
Although it was derided by some critics
as light-weight and silly, it has over the
years developed somewhat of a cult following
among Jennifer Connelly fans, and also fans
of John Hughes' work. In subsequent interviews,
Jennifer mentioned that she was embarassed
by her role as Josie because of the way
that the film overly emphasized her sexuality.
She was keen to move into more serious adult
roles, and not be relegated to an 'object
of desire'. "The
Rocketeer"
(1991), an ambitious Touchstone super-production,
came to the rescue. The film was an old-fashioned
adventure flick about a young pilot who
discovers a jet-pack and uses it to save
his girlfriend and foil gangsters and Nazis
in 1930's Hollywood. Critics saw in Rocketeer
a top-quality movie, a homage to those old
films of the 1930s in which the likes of
Errol Flynn starred. In real life, Jennifer
and co-star Bill Campbell became an item,
and saw each other on and off for five years,
at one point even getting engaged.
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The Heart of
Justice
1993
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After a year
long break from acting, Jennifer appeared
in "The
Heart of Justice" (1993),
a made-for-television drama which teamed
her up with a strong ensemble cast including
Dennis Hopper, Eric Stoltz and her Career
Opportunities co-star, Dermot Mulroney.
With dark themes of ambition, incest, murder
and jealousy, this film marked Jennifer's
progression into the adult roles that she
had been seeking. "Of
Love and Shadows" (1994)
provided Jennifer with an opportunity to
show off her credentials in her first role
following drama classes at Stanford. Unfortunately
the film was widely criticized for being
poorly scripted, poorly directed and (apart
from Jennifer and her co-star Antonio Banderas)
poorly acted.
Jennifer's
next major role was in "Mulholland
Falls" (1996), a 1950s
crime movie with a film-noir edge and a
solid cast including Nick Nolte, Melanie
Griffith, Chazz Palminteri, Michael Madsen
and John Malkovich. Jennife's role as Allison
Pond, the wounded beauty at the heart of
the story, was praised by film critic Roger
Ebert, who described her performance as
"sexy in the way Marilyn Monroe was
sexy - as if she doesn't quite believe it,
and can't quite help it - and she finds
the right note, halfway between innocence
and heedless abandon." Jennifer followed
Mulholland Falls with another 1950's drama,
"Inventing
the Abbots" (1997) about
a rich family whose parties and wealth dominate
a small Midwestern town and a local working-class
boy who has made the family his addiction.
Jennifer is the official "bad girl"
who gets sent away to stewardess school
for her exploits.
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Inventing the
Abbotts
1997
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This was followed
by another brief hiatus for the birth of
her son, Kai (with then-boyfriend David
Dugan, a photographer) in 1997. In 1998
Jennifer was invited by director Alex
Proyas to make "Dark
City" (1998), a strange,
visually stunning science fiction extravaganza.
In this movie, Jennifer played the main
character's wife, and she delivered an acclaimed
performance. The film itself didn't break
any box-office record but received positive
reviews. This led Jennifer to a contract
with Fox for the short-lived TV series "The
$treet" (2000), a main
part in the memorable and dramatic love-story
"Waking
the Dead" (2000), and
more important, a breakthrough part in the
polemic and applauded independent "Requiem
for a Dream" (2000), a
tale about the haunting lives of drug addicts
and the subsequent process of decadence
and destruction. In Requiem, Jennifer had
her career's most courageous, difficult
part, a performance that earned her a Spirit
Award Nomination and brought her the best
critical notice of her career to date. She
followed this role with "Pollock"
(2000), in which she played Jackson Pollock's
mistress, Ruth Klingman, who comes between
him and his wife, played by Marcia Gay Harden,
near the end of the artist's life.
Jennifer's
fortunes improved immensely in 2001, with
a truly revelatory performance in "A
Beautiful Mind" (2001),
Ron
Howard's acclaimed
biopic of John Forbes Nash Jr., a brilliant
mathematician, Nobel Prize winner in Economics,
and schizophrenic. As the devoted wife of
this complex man (played by Russell
Crowe), Jennifer earned a wealth
of critical accolades, including Golden
Globe and American Film Institute Awards
and a an Academy Award for Best Supporting
Actress.
After 20-odd
films, Jennifer had landed squarely on the
A-list after "A Beautiful Mind",
a status that has been cemented by her roles
in Ang Lee's action movie "Hulk"
(2003), her role opposite Ben Kingsley in
the drama "House
of Sand and Fog" (2003),
based on the book by Andre Dubus III, and
her leading role in "Dark
Water" (2005), a remake
of the hit supernatural Japanese film, directed
by Walter Salles.
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The House of
Sand and Fog
2003
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In "Little
Children" (2006), a black
comedy / satire directed by Todd Field,
Jennifer plays a small role as Kathy, a
cold and manipulative wife in a perfect
looking but shallow marriage. "Blood
Diamond" (2006), directed
by Edward
Zwick and staring Leonardo
DiCaprio, marked Jennifer's
first appearance in a a genuine 'block buster'
film. Jennifer played Maddy Bowen, an American
journalist who meets and befriends both
Danny (DiCaprio) and Solomon (Djimon Hounsou),
and challenges Danny to dispense with his
nihilism and do his part to fight for good
instead of being part of evil. In "Reservation
Road" (2007), Jennifer
teamed up with Joaquin Phoenix, her former
co-star in Inventing the Abbotts, playing
the mourning parents of a son killed in
a hit and run car accident. Despite generally
poor reviews, critics nevertheless continued
to acknowledge Jennifer's ability to excel
in emotional and painful roles.
Jennifer's
upcoming role in "He's
Just Not That Into You"
(scheduled release 1 August 2008) will mark
her return to comedy after a 17 year hiatus.
The film will star Jennifer Aniston, Scarlett
Johansson, Ben Affleck and Drew Barrymore.
The Baltimore-set movie of interconnecting
story arcs deals with the challenges of
reading or misreading human behavior.
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He's Just Not
That Into You
2008
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TRIVIA
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Jennifer currently
lives in Brooklyn New York.
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It is rumored that
she was an influence for the appearance
of Jasmine in
Disney's
"Aladdin".
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She is the mother of
two children: Kai, born in July 1997,
and Stellan born in August 2003.
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She is married to
Paul
Bettany ("A Beautiful
Mind" , "A Knight's Tale").
They were married in the candlelit music
room of the Scottish estate Gilmerton
House in 2002. Their first child, Stellan,
was born in August 2003.
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Her father, Gerard
Connelly, is a clothing manufacturer,
and her mother, Eileen Connelly, a former
antique dealer who's now a cranial-massage
therapist at California's Esalen Institute.
Jennifer's parents are now divorced.
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She is an only child.
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She is known for being
a perfectionist in her life.
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She is of Irish decscent
on her father's side and Russian/Polish
on her mother's.
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Still fiddles with
returning to finish her last year at
Stanford College.
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She is left handed.
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She is a fan of John
Lennon. During her teenage years she
was a fan of Evil Knievel and the Fonz.
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She is interested in
quantum physics and philosophy.
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She likes to draw and
travel.
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She took courses in
writing and painting at the New School
in New York during the 1990s.
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She is an avid reader
and enjoys reading and writing poetry.
James Joyce is a favorite author.
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At Stanford she became
a teenage athlete and was nicknamed
'death grip'.
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She had a small part
in a Simon Milne directed music video
for the
Duran
Duran song Union of the Snake (released
in 1984, it was part of the Dancing
on the Valentine video EP and later
included on the Decade video anthology).
Jennifer played a member of a subterranean
child-cult; the scenes she was in were
shot in England, while other parts of
the video were shot in Australia. Jennifer
has since noted that the video shoot
was "not a pleasant experience".
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At one point she was
reported to be engaged to
Bill
Campbell, her co-star in
"
The
Rocketeer". They were
together on and off for about five years.
She has subsequently claimed that the
engagement was "made up".
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She has been with ICM's
Risa Shapiro since she was 15 years
old.
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She has appeared in
a Miller Beer commercial.
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She is an outdoors person,
enjoying trekking, mountaineering and
hiking.
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She enjoys arid and
mountainous landscapes, like Tibet and
the Andes.
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She cut a single in
Japan called "Monologue of Love",
in which she sang in phonetic Japanese
with a semi classical instrument arrangement.
She says her agent made up the idea
that she is semi-fluent in the language.
She did learn some Japanese while she
was there in 1987-88.
SOME
MEMORABLE QUOTES
- "I try to stay focused on my
life and do try not to be brought into
the Hollywood fantasy."
- "Don't ever leave school for
anything is what I think, it's not worth
it."
- "I began working when I hadn't
yet come into my own, when I was this
walking puppet. Some of the movies I
did. . . I look back and cringe. For
better or for worse, I feel responsible
now. In Requiem for a Dream, I'm a heroin
addict, and I thought it was being made
for a reason--it wasn't about shock
value. It has something to say about
hunger and a void."
- "As an older actress, you're
allowed to be a human being. As a young
actress, you're the girlfriend or the
friend of the guy or the one who has
the good figure."
- "A love scene is really just
like any other scene besides the physical
involvement and the awkwardness and
wondering where you should put a certain
body part."
- "Thinking
that what you believe has some relevance
is so valuable; it keeps you from the
incredible urge to change yourself and
be like everyone else. I probably do
that sometimes, too, but I do it much
less that other people."
- "I
try to be selective but I don't always
do a great job. I try not to work just
to work, but I just find that I don't
always pick 'em right."
- "There
was a conception of me that obviously
connected back to the work I had done,
which I felt very disconnected from.
So that was a strange period, trying
to reform that image, and get things
more in synch with the person I know
myself to be."
- "That
would assume that my career is the most
important thing in my life,for me, what
matters most is doing things that I
feel passionate about, and feeling like
I'm moving forward"
- "I
constantly need music around me. The
main inspiration for my part in A Beautiful
Mind came from Bjork's song Hyper-Ballad."
- "The
ultimate goal isn't to be famous; the
ultimate goal is to work on stuff that
matters."
- "Sometimes
in the past, it's been frightening to
me to be in movies that weren't bad
enough that I wanted to warn people
away from seeing them, but also weren't
saying anything I wanted to say. So
if sometimes people just wrote about
that I looked like, then maybe there
was reason. Maybe that was the only
thing to write about in that movie.
But I'm still learning - I know nothing
compared to what I want to know."
- "When
I first started school it was because
I felt stupid and wanted to learn more.
School works for me - it's a stimulus
that I love. It's like training - a
place to exercise yourself. I love the
challenge. Everyone has to find whatever
it is that makes them feel good and
strong. I think the film and academic
environments complement one another."
- "In
terms of the work I do, I'm happy with
the way it's going. I've learned a few
things, especially in the last couple
of years. I didn't change or grow that
much as an actress when I was a kid.
You do all these things and you're distracted,
and you're not focussing on your skills
that much. For the last few years I've
grown more and changed more, and things
just feel different now. I'm still working
and I have a lot to do, I have a lot
I want to accomplish. That's just in
term of the integrity of my work, and
not about how people perceive me or
if I'm famous. I'm happy where I am.
Some information
courtesy of Tri-Star Pictures & the
Internet
Movie Database